| Andrew Stringer |
|
|
|
![]() |
| Rachael Trivett |
![]() | |
|
![]() | |
|
![]() | |
|
![]() | |
|
![]() | |
|
![]() |
| Emma Moore |
![]() |
| Emma Moore |
![]() |
| Emma Moore |
![]() |
| Emma Moore |
![]() |
| Emma Moore |
![]() |
| Emma Moore |
![]() |
| Emma Moore |
![]() |
| Emma Moore |
![]() |
| Emma Moore |
![]() |
| Emma Moore |
![]() |
| Emma Moore |
![]() |
| Emma Moore |
| Andrew Stringer |
|
|
|
![]() |
| Rachael Trivett |
![]() | |
|
![]() | |
|
![]() | |
|
![]() | |
|
![]() | |
|
![]() |
| Emma Moore |
![]() |
| Emma Moore |
![]() |
| Emma Moore |
![]() |
| Emma Moore |
![]() |
| Emma Moore |
![]() |
| Emma Moore |
![]() |
| Emma Moore |
![]() |
| Emma Moore |
![]() |
| Emma Moore |
![]() |
| Emma Moore |
![]() |
| Emma Moore |
![]() |
| Emma Moore |
We welcomed David Jordan to judge our penultimate competition of the season. The theme was Street,
Entires were somewhat less than normal but David still had a hard job in awarding marks. His comments were helpful and much appreciated. The top scoring images from both Members and Members Advanced are shown below.
![]() |
| Cigarette Break by Carol Martin 19 |
![]() |
| Dancing in the street by Diana Graham 19 |
![]() |
| Lost in the melody by Sue Baldwin 19 |
![]() |
| Photos by Ian Speller 20 |
![]() |
| Ready for the revellers by Pat Weir 18 |
![]() |
| Smokers by Diana Graham 20 |
![]() |
| Stepping through the shadows by Sue Baldwin 18 |
![]() |
| Young lady enjoying her snack by Jan Murphy 20 |
On Tuesday evening we has a practical session on contact sheets for the summer challenge and how to do a triptych using a variety of software. All demonstrations were carried out by club members.
Jack focused on Lightroom, Jan on Photoshop, Rachael on On1 and Pat on Affinity.
For some members this was a refresher and for others it was the first time. Members watched the demonstrations which were repeated several times. They were also able to asked questions, make suggestions and tryout the task for themselves.
At the end of the evening some members said that if they only took one thing away with them, then the session was a success.
On Tuesday evening we welcomed Clair Cater to give a talk on focal length for landscapes. Claire showed us some amazing images all chosen to show the different focal lengths and their creative potential. She explained how zooming in and out changes the composition and also that the best lens depends on the photographs goal and the environment.
Using zoom lenses allows you to choose different focal lengths
A 16m lens gives a 96 field degree view emphasising the depth of the background and big skies.
24-105m lens makes the subject important and the background more prominent. The image is all about the middle distant with less depth of field
With a100-300m lens the foreground and background will appear closer together. This is to create more intimacy between the subject and the background and to distort the perspective. Objects closer in the foreground looks smaller as oppose to those further away looking larger. The more you zoom in the more you can play about with the depth of field.
Using zoom lens abstract details from the landscape and helps to add drama. The photographer can get several different views of the same image by using different focal lengths.
I am sure that many of the members will try out some of her very useful suggestions.
On Tuesday evening we welcomed Penny Reeves to judge our final print competition of the season.
The category was nature and wildlife giving members plenty of scope.
Penny complemented the club on the high standard of the images that were entered. She explained that she was judging the prints in front of her and not the digital image projected on the screen as there are sometimes differences between the two.
Her comments were fair and helpful such as using a slightly gloss paper to enhance reflections. She also pointed out that she would be very picky when judging the advance group because of the very high standard.
She held back two images in the members group and ten in the advance.
Here are the top scoring images in the members group:
![]() |
| Hellebore And Ladybug by Emma Moore 18 |
![]() |
| Portrait Of A Greylag Goose by Georgie McCall 20 |
![]() |
| Skeleton Trees - Dead Vlei Namibia by Ian spellar 19 |
![]() |
| Teal with Reflection by Georgie McCall 18 |
![]() |
| A Pair Of Herring Gulls Chick by Jack Mitchell 18 |
![]() |
| Brown Hare In The Morning Dew by Lyn Ibbilson-Elks 18 |
| Catch Of The Day by Martyn Page 18 |
![]() |
| Misty Morning Reflection by Sandie Jardine 19 |
| Wreathed Hornbill by Jan Murphy 20 |
The evening was all about black and white photography and printing.
Andrew talked about his passion for film photography and black and white prints. He showed us a variety of film cameras, from old style to modern day. He explained that with the advance in technology it is now easier to develop film without using a darkroom. He explained the process and gave a quick demo using a kit called a changing room.
On display was a selection of prints Andrew had taken right from the start of his photography journey up until now. Each image had a story to tell and evoking memories of the past.
Andrew emphasised that using film slows you down and makes you think before pressing the shutter. Its all about getting it right in camera. Focusing on the composition and checking to see if the image is in focus. And thinking about why you want to take this image. All these are important because you only get one chance.
We had a guest, David Spain, who brought along some of his National Trust vintage black and white prints. Also some members brought along prints to share with the group and explained why they were important to them.
Andrew's closing speech was to encourage member to go out with the intention of taking black and white images and printing them.
On Tuesday evening we welcomed Warren Alani to give a talk on his project Inside Out. In this talk he covered many genres. Warren is an accomplish photographer with many awards to his portfolio. He initially started out in a camera club taking images for competitions but moved away to focus on taking photos of the things he likes such as street photography and architecture. The Inside Out project is about evoking emotions via the camera and how to explore the unusual.
He showed us several hundred images from around the world all in black and white. He started off with images all taken in the outdoor environment either looking in from the outside or vice versa. Taking images from different angles showing the unusual, such as upside down mannequins with legs pointing upwards and a person walking past a shopwindow.
He captures people in a variety of situations (eg. at demonstrations) and finding characters with expressions that tells a story (eg. a lone person in the tube station). He uses a slow shutter speed on a static person giving contrast between the subject and the environment around them
He has a fascination with staircases, which he photographs from above and below, portraying movement and showing the patterns, leading lines and shapes. And sometimes just a lone figure on the stairs.
His images encourages the viewers to use their imagination about what could be happening. What is around the corner. Even if his style is not for you, it gets you thinking about the importance of taking images for yourself and things you like.